{"id":21129,"date":"2021-11-11T01:51:25","date_gmt":"2021-11-11T04:51:25","guid":{"rendered":"http:\/\/panoramacoisadecinema.local\/?page_id=21129"},"modified":"2022-11-04T18:13:12","modified_gmt":"2022-11-04T21:13:12","slug":"laboratorios","status":"publish","type":"page","link":"https:\/\/acervo.coisadecinema.com.br\/xviii-panorama\/atividades\/laboratorios\/","title":{"rendered":"Laborat\u00f3rios"},"content":{"rendered":"<p><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container hundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-padding-top:150px;--awb-padding-right:12%;--awb-padding-bottom:60px;--awb-padding-left:12%;--awb-padding-top-small:120px;--awb-margin-top-small:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"width:104% !important;max-width:104% !important;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-padding-bottom:30px;--awb-bg-blend:overlay;--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-title title fusion-title-1 fusion-sep-none fusion-title-text fusion-title-size-one\" style=\"--awb-margin-bottom:30px;--awb-margin-bottom-small:30px;\"><h1 class=\"fusion-title-heading title-heading-left sm-text-align-center\" style=\"margin:0;\">Panlab de Roteiro<\/h1><\/div><div class=\"fusion-text fusion-text-1 sm-text-align-center\"><p>O X Laborat\u00f3rio de Roteiro faz parte das atividades do Panorama Internacional Coisa de Cinema, festival realizado pela Coisa de Cinema, produtora cultural sediada em Salvador e que, desde 1995, realiza projetos diversos ligados \u00e0 arte cinematogr\u00e1fica.<\/p>\n<p>O objetivo do laborat\u00f3rio \u00e9 promover um interc\u00e2mbio entre roteiristas baianos e profissionais de outros estados que atuam como consultores individuais para cada roteiro de curta ou longa-metragem de fic\u00e7\u00e3o selecionado no sentido de aprimorar a escrita dos roteiros.<\/p>\n<p>O X Laborat\u00f3rio de Roteiro do Panorama Internacional Coisa de Cinema ser\u00e1 realizado em formato online atrav\u00e9s da plataforma Zoom Meetings entre 24 de outubro e 09 de novembro de 2022, em dias e hor\u00e1rios a serem definidos.<\/p>\n<\/div><div class=\"fusion-title title fusion-title-2 fusion-sep-none fusion-title-text fusion-title-size-two\" style=\"--awb-margin-bottom:10px;--awb-font-size:28px;\"><h2 class=\"fusion-title-heading title-heading-left\" style=\"margin:0;font-size:1em;\">Conhe\u00e7a os consultores desta edi\u00e7\u00e3o:<\/h2><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-padding-bottom:100px;--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:25%;--awb-order-medium:0;--awb-spacing-right-medium:7.68%;--awb-spacing-left-medium:7.68%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-builder-row fusion-builder-row-inner fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"width:104% !important;max-width:104% !important;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column_inner fusion-builder-nested-column-0 fusion_builder_column_inner_1_3 1_3 fusion-flex-column fusion-flex-align-self-flex-start\" style=\"--awb-padding-bottom-small:30px;--awb-bg-size:cover;--awb-width-large:33.333333333333%;--awb-margin-top-large:0px;--awb-spacing-right-large:5.76%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:5.76%;--awb-width-medium:33.333333333333%;--awb-order-medium:0;--awb-spacing-right-medium:5.76%;--awb-spacing-left-medium:5.76%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-image-element \" style=\"text-align:center;--awb-margin-bottom:10px;--awb-max-width:80%;--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-1 hover-type-none\" style=\"border-radius:50%;\"><img decoding=\"async\" width=\"600\" height=\"600\" title=\"tb-curadoria-aleksei\" src=\"https:\/\/panorama.coisadecinema.com.br\/wp-content\/uploads\/2022\/10\/tb-curadoria-aleksei.jpg\" alt class=\"img-responsive wp-image-25231\" srcset=\"https:\/\/acervo.coisadecinema.com.br\/xviii-panorama\/wp-content\/uploads\/2022\/10\/tb-curadoria-aleksei-200x200.jpg 200w, https:\/\/acervo.coisadecinema.com.br\/xviii-panorama\/wp-content\/uploads\/2022\/10\/tb-curadoria-aleksei-400x400.jpg 400w, https:\/\/acervo.coisadecinema.com.br\/xviii-panorama\/wp-content\/uploads\/2022\/10\/tb-curadoria-aleksei.jpg 600w\" sizes=\"(max-width: 640px) 100vw, 400px\" \/><\/span><\/div><div class=\"fusion-title title fusion-title-3 fusion-sep-none fusion-title-center fusion-title-text fusion-title-size-three\" style=\"--awb-text-color:var(--awb-color6);--awb-margin-bottom:0px;--awb-margin-bottom-small:0px;\"><h3 class=\"fusion-title-heading title-heading-center\" style=\"font-family:&quot;Open Sans&quot;;font-style:normal;font-weight:700;margin:0;text-transform:none;\">Aleksei Abib<\/h3><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column_inner fusion-builder-nested-column-1 fusion_builder_column_inner_2_3 2_3 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:66.666666666667%;--awb-margin-top-large:0px;--awb-spacing-right-large:8.64%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:8.64%;--awb-width-medium:66.666666666667%;--awb-order-medium:0;--awb-spacing-right-medium:8.64%;--awb-spacing-left-medium:8.64%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-2 sm-text-align-center\"><p>Aleksei Abib \u00e9 diretor, roteirista, escritor e um dos principais consultores de roteiro do pa\u00eds. Assina, entre outros, os roteiros de \u201cA Via L\u00e1ctea\u201d (46\u00aa. Semaine de la Critique, Festival de Cannes), e da novela \u201c\u00c1gua na Boca\u201d, Band. \u00c9 um dos script-doctors mais requisitados do pa\u00eds, com destaque para \u201cElena\u201d, de Petra Costa (Pr\u00e9\u2013indicado ao Oscar, 2015); \u201cDe Menor\u201d, de Caru Alves de Souza (Melhor Filme &#8211; Festival do Rio, 2013); &#8220;Mulher Oceano&#8221;, da atriz e diretora Djin Zganzerla (Melhor Filme Estrangeiro, Porto Femme Intl Film Festival, Melhor Filme), o blockbuster \u201cMais Forte que o Mundo\u201d, de Afonso Poyart, e \u201cEduardo e M\u00f4nica\u201d, de Ren\u00e9 Sampaio, entre outros.<\/p>\n<p>Foi consultor do Laborat\u00f3rio Novas Hist\u00f3rias (2009 a 2013), l\u00edder e consultor de diversos n\u00facleos criativos no pa\u00eds, entre os quais o N\u00facleo do Crime, de Karim A\u00efnouz, e analista de projetos no Programa Ibermedia, em Madrid. \u00c9 um dos autores convidados do livro \u201cProfiss\u00e3o Rep\u00f3rter\u201d, da Editora Planeta, em colabora\u00e7\u00e3o com a Rede Globo de Televis\u00e3o. Foi ainda um tr\u00eas consultores nacionais do Projeto Paradiso em 2019, e \u00e9 professor convidado da EICTV, Escuela Internacional de San Antonio de los Ba\u00f1os, Cuba, desde 2017.<\/p>\n<p>Seu projeto mais recente \u00e9 o longa documental &#8220;Voc\u00ea N\u00e3o \u00c9 Um Soldado&#8221;, da diretora Maria Carolina Telles, no qual assina o roteiro e a co-dire\u00e7\u00e3o: World Premiere no Hot Docs 2021, Ca; Melhor Document\u00e1rio, DOCS VAL\u00c8NCIA, Espanha, 2021; Special Mention, DOCS (MX), Ciudad de Mexico, 2021; que estreou na HBOMAX BRASIL em abril de 2022, e acaba de ser disponibilizado para a HBOMAX LATINAMERICA, em julho de 2022.<\/p>\n<p>Atualmente desenvolve a adapta\u00e7\u00e3o para cinema da obra &#8220;A Hora dos Ruminantes&#8221;, de J. J. Veiga, do diretor e roteirista Andr\u00e9 Meirelles Collazo (contemplado no PROAC- Desenvolvimento de Longas 2020). &#8220;O TEMPLO&#8221; (premiado no PROAC- Categoria Romance, 2020), com lan\u00e7amento em julho de 2022, \u00e9 seu primeiro romance.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-2 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-padding-bottom:100px;--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:25%;--awb-order-medium:0;--awb-spacing-right-medium:7.68%;--awb-spacing-left-medium:7.68%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-builder-row fusion-builder-row-inner fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"width:104% !important;max-width:104% !important;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column_inner fusion-builder-nested-column-2 fusion_builder_column_inner_1_3 1_3 fusion-flex-column fusion-flex-align-self-center\" style=\"--awb-padding-bottom-small:30px;--awb-bg-size:cover;--awb-width-large:33.333333333333%;--awb-margin-top-large:0px;--awb-spacing-right-large:5.76%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:5.76%;--awb-width-medium:33.333333333333%;--awb-order-medium:0;--awb-spacing-right-medium:5.76%;--awb-spacing-left-medium:5.76%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-image-element \" style=\"text-align:center;--awb-margin-bottom:10px;--awb-max-width:80%;--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-2 hover-type-none\" style=\"border-radius:50%;\"><img decoding=\"async\" width=\"600\" height=\"600\" title=\"tb-curadoria-camila-agustini\" src=\"https:\/\/panorama.coisadecinema.com.br\/wp-content\/uploads\/2022\/10\/tb-curadoria-camila-agustini.jpg\" alt class=\"img-responsive wp-image-25233\" srcset=\"https:\/\/acervo.coisadecinema.com.br\/xviii-panorama\/wp-content\/uploads\/2022\/10\/tb-curadoria-camila-agustini-200x200.jpg 200w, https:\/\/acervo.coisadecinema.com.br\/xviii-panorama\/wp-content\/uploads\/2022\/10\/tb-curadoria-camila-agustini-400x400.jpg 400w, https:\/\/acervo.coisadecinema.com.br\/xviii-panorama\/wp-content\/uploads\/2022\/10\/tb-curadoria-camila-agustini.jpg 600w\" sizes=\"(max-width: 640px) 100vw, 400px\" \/><\/span><\/div><div class=\"fusion-title title fusion-title-4 fusion-sep-none fusion-title-center fusion-title-text fusion-title-size-three\" style=\"--awb-text-color:var(--awb-color6);--awb-margin-bottom:0px;--awb-margin-bottom-small:0px;\"><h3 class=\"fusion-title-heading title-heading-center\" style=\"font-family:&quot;Open Sans&quot;;font-style:normal;font-weight:700;margin:0;text-transform:none;\">Camila Agustini<\/h3><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column_inner fusion-builder-nested-column-3 fusion_builder_column_inner_2_3 2_3 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:66.666666666667%;--awb-margin-top-large:0px;--awb-spacing-right-large:8.64%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:8.64%;--awb-width-medium:66.666666666667%;--awb-order-medium:0;--awb-spacing-right-medium:8.64%;--awb-spacing-left-medium:8.64%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-3 sm-text-align-center\"><p>Roteirista e consultora formada pela EICTV (Cuba) com passagem pela Concordia University (Canad\u00e1). Participou do Talent Campus no Festival de Guadalajara e no Bafici, do Docs Accelerator (HotDocs), do Taller para Direcci\u00f3n do Abbas Kiarostami e do Taller Andino do Ibermedia. Atuou no desenvolvimento de diversos projetos transm\u00eddia da TV Globo onde tamb\u00e9m foi analista de projetos de filmes e s\u00e9ries.<\/p>\n<p>Como consultora de roteiro atuou em diversos projetos no Brasil e no exterior, inclusive na Incubadora Paradiso, no Sesc Argumenta e no ICAU (Uruguai). \u00c9 uma das respons\u00e1veis pela programa\u00e7\u00e3o do FRAPA.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-3 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-padding-bottom:60px;--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:25%;--awb-order-medium:0;--awb-spacing-right-medium:7.68%;--awb-spacing-left-medium:7.68%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-builder-row fusion-builder-row-inner fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"width:104% !important;max-width:104% !important;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column_inner fusion-builder-nested-column-4 fusion_builder_column_inner_1_3 1_3 fusion-flex-column fusion-flex-align-self-flex-start\" style=\"--awb-padding-bottom-small:30px;--awb-bg-size:cover;--awb-width-large:33.333333333333%;--awb-margin-top-large:0px;--awb-spacing-right-large:5.76%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:5.76%;--awb-width-medium:33.333333333333%;--awb-order-medium:0;--awb-spacing-right-medium:5.76%;--awb-spacing-left-medium:5.76%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-image-element \" style=\"text-align:center;--awb-margin-bottom:10px;--awb-max-width:80%;--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-3 hover-type-none\" style=\"border-radius:50%;\"><img decoding=\"async\" width=\"600\" height=\"600\" title=\"tb-curadoria-gabriel-martins\" src=\"https:\/\/panorama.coisadecinema.com.br\/wp-content\/uploads\/2022\/10\/tb-curadoria-gabriel-martins.jpg\" alt class=\"img-responsive wp-image-25236\" srcset=\"https:\/\/acervo.coisadecinema.com.br\/xviii-panorama\/wp-content\/uploads\/2022\/10\/tb-curadoria-gabriel-martins-200x200.jpg 200w, https:\/\/acervo.coisadecinema.com.br\/xviii-panorama\/wp-content\/uploads\/2022\/10\/tb-curadoria-gabriel-martins-400x400.jpg 400w, https:\/\/acervo.coisadecinema.com.br\/xviii-panorama\/wp-content\/uploads\/2022\/10\/tb-curadoria-gabriel-martins.jpg 600w\" sizes=\"(max-width: 640px) 100vw, 400px\" \/><\/span><\/div><div class=\"fusion-title title fusion-title-5 fusion-sep-none fusion-title-center fusion-title-text fusion-title-size-three\" style=\"--awb-text-color:var(--awb-color6);--awb-margin-bottom:0px;--awb-margin-bottom-small:0px;\"><h3 class=\"fusion-title-heading title-heading-center\" style=\"font-family:&quot;Open Sans&quot;;font-style:normal;font-weight:700;margin:0;text-transform:none;\">Gabriel Martins<\/h3><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column_inner fusion-builder-nested-column-5 fusion_builder_column_inner_2_3 2_3 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:66.666666666667%;--awb-margin-top-large:0px;--awb-spacing-right-large:8.64%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:8.64%;--awb-width-medium:66.666666666667%;--awb-order-medium:0;--awb-spacing-right-medium:8.64%;--awb-spacing-left-medium:8.64%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-4 sm-text-align-center\"><p>Gabriel Martins (22\/12\/1987) \u00e9 cineasta, roteirista, montador e diretor de fotografia conhecido por seu trabalho na Filmes de Pl\u00e1stico, empresa que fundou em 2009 ao lado de Andr\u00e9 Novais Oliveira, Maurilio Martins e Thiago Mac\u00eado Correia.<\/p>\n<p>Seu primeiro filme, NO CORA\u00c7\u00c3O DO MUNDO, codirigido por Maurilio Martins, estreou na Tiger Competition do Festival de Roterd\u00e3 em 2019, e depois foi exibido em diversos festivais, e lan\u00e7ado comercialmente em v\u00e1rios pa\u00edses, como a Fran\u00e7a, onde foi aclamado pela cr\u00edtica.<\/p>\n<p>Entre seu curtas est\u00e3o NADA, exibido na Quinzena dos Realizadores de Cannes, em 2017, e DONA S\u00d4NIA PEDIU UMA ARMA PARA SEU VIZINHO ALCIDES, exibido no Festival de Clermont-Ferrand. Ele tamb\u00e9m participou do programa especial de Roterd\u00e3 \u201cSoul in the Eye\u201d, no qual ministrou uma masterclass.<\/p>\n<p>Gabriel escreveu diversos filmes, como o sucesso ALEM\u00c3O. MARTE UM \u00e9 seu segundo longa, e primeira dire\u00e7\u00e3o solo.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-4 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-title title fusion-title-6 fusion-sep-none fusion-title-text fusion-title-size-two\" style=\"--awb-margin-bottom:30px;--awb-margin-bottom-small:30px;\"><h2 class=\"fusion-title-heading title-heading-left sm-text-align-center\" style=\"margin:0;\">Confira a lista de projetos selecionados para este edi\u00e7\u00e3o:<\/h2><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-5 fusion_builder_column_1_2 1_2 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:50%;--awb-margin-top-large:0px;--awb-spacing-right-large:3.84%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:3.84%;--awb-width-medium:50%;--awb-order-medium:0;--awb-spacing-right-medium:3.84%;--awb-spacing-left-medium:3.84%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-title title fusion-title-7 fusion-sep-none fusion-title-text fusion-title-size-three\" style=\"--awb-margin-bottom:10px;\"><h3 class=\"fusion-title-heading title-heading-left\" style=\"margin:0;\">Longas<\/h3><\/div><div class=\"fusion-text fusion-text-5\"><ol>\n<li>O Tocador de Ilus\u00f5es, de Lula Oliveira e Zez\u00e3o Castro<\/li>\n<li>Doppelg\u00e4nger: A Sombra no Espelho, de Rog\u00e9rio Catal\u00e3 e Eva Freire<\/li>\n<li>Uma M\u00e3e, de Let\u00edcia Sim\u00f5es<\/li>\n<li>O Cego e o Louco, de Claudia Barral, Marcos Barbosa e Susan Kalik<\/li>\n<\/ol>\n<\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-6 fusion_builder_column_1_2 1_2 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:50%;--awb-margin-top-large:0px;--awb-spacing-right-large:3.84%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:3.84%;--awb-width-medium:50%;--awb-order-medium:0;--awb-spacing-right-medium:3.84%;--awb-spacing-left-medium:3.84%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-title title fusion-title-8 fusion-sep-none fusion-title-text fusion-title-size-three\" style=\"--awb-margin-bottom:10px;\"><h3 class=\"fusion-title-heading title-heading-left\" style=\"margin:0;\">Curtas<\/h3><\/div><div class=\"fusion-text fusion-text-6\"><ol>\n<li>Turquesa, de Luciana Leit\u00e3o<\/li>\n<li>Espinho Remoso, de Heraldo de Deus<\/li>\n<li>A Vida no Inverno, de Victor Laet<\/li>\n<li>Brenda, de Hilda Lopes Pontes e Klaus Hastenreiter<\/li>\n<li>Severiana e as L\u00e1grimas do Mar, de Silvana Moura<\/li>\n<li>Como Nasce um Rio, de Luma Flores<\/li>\n<\/ol>\n<\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-2 fusion-flex-container has-pattern-background has-mask-background hundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-padding-top:60px;--awb-padding-right:12%;--awb-padding-bottom:160px;--awb-padding-left:12%;--awb-background-color:var(--awb-color5);--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"width:104% !important;max-width:104% !important;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-7 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-padding-bottom:30px;--awb-bg-blend:overlay;--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-title title fusion-title-9 fusion-sep-none fusion-title-text fusion-title-size-one\" style=\"--awb-margin-bottom:30px;--awb-margin-bottom-small:30px;\"><h1 class=\"fusion-title-heading title-heading-left sm-text-align-center\" style=\"margin:0;\">Panlab de Montagem<\/h1><\/div><div class=\"fusion-text fusion-text-7 sm-text-align-center\"><p>O V Laborat\u00f3rio de Montagem faz parte das atividades do Panorama Internacional Coisa de Cinema, festival realizado pela Coisa de Cinema, produtora cultural sediada em Salvador e que, desde 1995, realiza projetos diversos ligados \u00e0 arte cinematogr\u00e1fica.<\/p>\n<p>O objetivo do laborat\u00f3rio \u00e9 oferecer aos diretores e montadores dos filmes selecionados uma consultoria de montagem a partir de um corte estruturado da obra comentada pelo consultor convidado no sentido de aprimorar o trabalho de montagem.<\/p>\n<p>O V Laborat\u00f3rio de Montagem ser\u00e1 realizado em formato online atrav\u00e9s da plataforma Zoom Meetings entre 07 e 12 de novembro de 2022, em hor\u00e1rios a serem definidos.<\/p>\n<\/div><div class=\"fusion-title title fusion-title-10 fusion-sep-none fusion-title-text fusion-title-size-two\" style=\"--awb-margin-bottom:10px;--awb-font-size:28px;\"><h2 class=\"fusion-title-heading title-heading-left\" style=\"margin:0;font-size:1em;\">Conhe\u00e7a a consultora desta edi\u00e7\u00e3o:<\/h2><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-8 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:25%;--awb-order-medium:0;--awb-spacing-right-medium:7.68%;--awb-spacing-left-medium:7.68%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-builder-row fusion-builder-row-inner fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"width:104% !important;max-width:104% !important;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column_inner fusion-builder-nested-column-6 fusion_builder_column_inner_1_3 1_3 fusion-flex-column fusion-flex-align-self-flex-start\" style=\"--awb-padding-bottom-small:30px;--awb-bg-size:cover;--awb-width-large:33.333333333333%;--awb-margin-top-large:0px;--awb-spacing-right-large:5.76%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:5.76%;--awb-width-medium:33.333333333333%;--awb-order-medium:0;--awb-spacing-right-medium:5.76%;--awb-spacing-left-medium:5.76%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-image-element \" style=\"text-align:center;--awb-margin-bottom:10px;--awb-max-width:80%;--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-4 hover-type-none\" style=\"border-radius:50%;\"><img decoding=\"async\" width=\"600\" height=\"600\" title=\"tb-curadoria-meliande\" src=\"https:\/\/panorama.coisadecinema.com.br\/wp-content\/uploads\/2022\/10\/tb-curadoria-meliande.jpg\" alt class=\"img-responsive wp-image-25241\" srcset=\"https:\/\/acervo.coisadecinema.com.br\/xviii-panorama\/wp-content\/uploads\/2022\/10\/tb-curadoria-meliande-200x200.jpg 200w, https:\/\/acervo.coisadecinema.com.br\/xviii-panorama\/wp-content\/uploads\/2022\/10\/tb-curadoria-meliande-400x400.jpg 400w, https:\/\/acervo.coisadecinema.com.br\/xviii-panorama\/wp-content\/uploads\/2022\/10\/tb-curadoria-meliande.jpg 600w\" sizes=\"(max-width: 640px) 100vw, 400px\" \/><\/span><\/div><div class=\"fusion-title title fusion-title-11 fusion-sep-none fusion-title-center fusion-title-text fusion-title-size-three\" style=\"--awb-text-color:var(--awb-color6);--awb-margin-bottom:0px;--awb-margin-bottom-small:0px;\"><h3 class=\"fusion-title-heading title-heading-center\" style=\"font-family:&quot;Open Sans&quot;;font-style:normal;font-weight:700;margin:0;text-transform:none;\">Marina Meliande<\/h3><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column_inner fusion-builder-nested-column-7 fusion_builder_column_inner_2_3 2_3 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:66.666666666667%;--awb-margin-top-large:0px;--awb-spacing-right-large:8.64%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:8.64%;--awb-width-medium:66.666666666667%;--awb-order-medium:0;--awb-spacing-right-medium:8.64%;--awb-spacing-left-medium:8.64%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-8 sm-text-align-center\"><p>Marina Meliande \u00e9 diretora, produtora e montadora, formada em Cinema pela UFF e com mestrado em Artes Contempor\u00e2neas pelo Le Fresnoy (Fran\u00e7a), onde realizou duas v\u00eddeo instala\u00e7\u00f5es \u201d Cartas ao Velho Mundo\u201d (2008) e \u201cImage qui Reste\u201d(2009), est\u00e1 com o suporte do Museu do Louvre.<\/p>\n<p>Dirigiu 4 longas metragens com grande destaque em Festivais Internacionais: \u201cA Fuga da Mulher Gorila\u201d, (Locarno 2009), \u201cA Alegria\u201d (Cannes 2010), \u201cDesassossego\u201d (Rotterdam 2011) e \u201cMorma\u00e7o\u201d, desenvolvido na resid\u00eancia da Cin\u00e9fondation, com estreia na Competi\u00e7\u00e3o do Festival de Roterd\u00e3 2018. Como montadora, trabalhou em mais de 50 filmes, entre eles, \u201cGirimunho\u201d (Veneza 2011), \u201cOlmo e a Gaivota\u201d (Locarno 2015) e \u201cPendular\u201d (Berlim 2017). \u00c9 ainda produtora dos filmes \u201cA morte de J.P.Cuenca\u201d (CPH DOX 2016), \u201cN\u00e3o Devore Meu Cora\u00e7\u00e3o\u201d (Sundance 2017) e \u201cUm Animal Amarelo\u201d (Roterd\u00e3 2020). Atualmente finaliza 2 s\u00e9ries como Diretora Geral: \u201cSenten\u00e7a\u201d (Amazon Prime) e \u201cAnjo Loiro com Sangue no Cabelo\u201d (Canal Brasil).<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-9 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-title title fusion-title-12 fusion-sep-none fusion-title-text fusion-title-size-two\" style=\"--awb-margin-bottom:30px;--awb-margin-bottom-small:30px;\"><h2 class=\"fusion-title-heading title-heading-left sm-text-align-center\" style=\"margin:0;\">Confira a lista de projetos selecionados para este edi\u00e7\u00e3o:<\/h2><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-10 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-9 awb-text-cols fusion-text-columns-3\" style=\"--awb-columns:3;--awb-column-spacing:2em;--awb-column-min-width:100px;\"><p>Rodas de Gigante<br \/>A Menina e a cineasta<br \/>Di\u00e1rio da Primavera<br \/>Sysyphus<br \/>Eu era Feliz (e outras mentiras)<br \/>Coisas Demoronam<br \/>Solange N\u00e3o Veio Hoje<br \/>Fortaleza Liberta<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":3,"featured_media":0,"parent":24729,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"100-width.php","meta":{"footnotes":""},"class_list":["post-21129","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/acervo.coisadecinema.com.br\/xviii-panorama\/wp-json\/wp\/v2\/pages\/21129","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/acervo.coisadecinema.com.br\/xviii-panorama\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/acervo.coisadecinema.com.br\/xviii-panorama\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/acervo.coisadecinema.com.br\/xviii-panorama\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/acervo.coisadecinema.com.br\/xviii-panorama\/wp-json\/wp\/v2\/comments?post=21129"}],"version-history":[{"count":60,"href":"https:\/\/acervo.coisadecinema.com.br\/xviii-panorama\/wp-json\/wp\/v2\/pages\/21129\/revisions"}],"predecessor-version":[{"id":28092,"href":"https:\/\/acervo.coisadecinema.com.br\/xviii-panorama\/wp-json\/wp\/v2\/pages\/21129\/revisions\/28092"}],"up":[{"embeddable":true,"href":"https:\/\/acervo.coisadecinema.com.br\/xviii-panorama\/wp-json\/wp\/v2\/pages\/24729"}],"wp:attachment":[{"href":"https:\/\/acervo.coisadecinema.com.br\/xviii-panorama\/wp-json\/wp\/v2\/media?parent=21129"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}